books
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Looking back on my Advanced Composition course, I can see how each reading slowly changed the way I understand writing. We started with Gregory Ulmer, who introduced electracy as the digital age’s version of literacy. That idea alone made me see how much the online world shapes how we communicate. Then we read Marshall McLuhan,
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This space feels like what Jody Shipka might call a living composition, where words breathe through the quiet magic of their surroundings. The chalkboard’s message, glowing softly beneath its carved wooden frame, is more than text; it is an incantation. Around it, the crystals, books, and small guardians of myth form a chorus of meaning,
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Richard Lanham’s Style: An Anti-Textbook argues that writing is never just about what we say. It is about how we choose to say it. The word “style” doesn’t mean decoration. It means self-preservation. Every writer, whether they admit it or not, hides behind the rhythm of their sentences, the patterns of their punctuation, the voice
Liminal Wordsmith 