literacy

  • Looking back on my Advanced Composition course, I can see how each reading slowly changed the way I understand writing. We started with Gregory Ulmer, who introduced electracy as the digital age’s version of literacy. That idea alone made me see how much the online world shapes how we communicate. Then we read Marshall McLuhan,

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  • Geoffrey Sirc talks about composition like it should be a “happening,” and honestly, as a writer, that makes perfect sense to me. Writing feels better when it’s an experience instead of an assignment. It works when it’s a little messy, a little playful, and connected to whatever is going on in real life. After all,

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  • Beyond the Screen

    When I think about writing, I usually picture a screen. The blinking cursor, quiet room, the soft hum of a laptop. But Jody Shipka’s Toward a Composition Made Whole reminded me that composing doesn’t have to live inside a document. It can be the sound of scissors cutting paper, the texture of a pen dragging

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  • When Geoffrey Sirc talks about writing as a kind of visual art in English Composition as a Happening, I have to say I definitely get what he means. He’s basically saying that writing shouldn’t feel so stiff or mechanical. It can be more like painting or creating something you can feel and see, not just something

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  • Style as Survival

    Richard Lanham’s Style: An Anti-Textbook argues that writing is never just about what we say. It is about how we choose to say it. The word “style” doesn’t mean decoration. It means self-preservation. Every writer, whether they admit it or not, hides behind the rhythm of their sentences, the patterns of their punctuation, the voice

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  • Learning to Break the Rules

    An anti-textbook? That definitely sounds intriguing, particularly to a college student. With Richard Lanham’s Style: An Anti-Textbook, I was immediately drawn to the idea of something that questioned the rules of writing instead of worshiping them. Most writing guides feel like they’re trying to sand you down until nothing sticks out. Lanham does the opposite. This

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  • I’ve been reading Justin Hodgson’s Post-Digital Rhetoric and the New Aesthetic, and it really made me think about how much digital life has blended into everything we do. Marshall McLuhan once said the medium is the message, and Gregory Ulmer emphasized the creative side of digital media. Hodgson picks up where they left off, but

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  • Everything in Its Right Place

    Marshall McLuhan once said, “the medium is the message.” What he meant is that what really matters about media isn’t just the content but the atmosphere it creates around us. Radiohead has been shaping those kinds of atmospheres for decades. Take Everything in Its Right Place, the opener on Kid A. The words cycle like

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  • McLuhan Meets Ulmer

    While McLuhan and Ulmer never met in the physical sense, if you read them together it feels like they’re talking across time. Back in the 60s, McLuhan said, “the medium is the massage.” Years later Ulmer came along with his own idea, electracy, which is basically literacy for the digital age. Put those ideas next

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  • From Alley to Algorithm

    On a brick-lined alley, next to Daisy, a corgi with more charm than Poe’s raven, I stumbled across this sign: ‘Poe-etry in the pocket.’ It struck me that literature is never just confined to books or screens. It leaks into alleys, into conversations, into the static hum of daily life. We write, we post, we

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